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Es Devlin

This work invites us to learn and remember the names and sing those under threat into continued existence


Artist and stage designer Es Devlin was made a Commander of the Order of the British Empire (CBE) for services to design in a ceremony at Buckingham Palace in October. She was awarded an OBE in 2015.

Devlin is known for her large scale public art installations, often inspired by nature, which include the Forest for Change – when she filled the courtyard of London’s Somerset House with trees – and indoor forest Conference of the Trees, created for the COP26 climate conference in Glasgow, UK.

She also created the mirrored maze-like installation Forest of Us for the inaugural exhibition at Superblue Miami, and was responsible for the closing ceremony at the London 2012 Olympics and the opening ceremony at the Rio 2016 Olympics, as well the British Pavilion at the Dubai 2020 Expo.

Devlin began her career in the theatre, after studying Fine Art at Central Saint Martins in London, and has created catwalk shows for designers including Louis Vuitton and stage sets for Kanye West, Beyonce and U2.

Her most recent work, called Come Home Again, saw Devlin create a large scale illuminated sculpture to highlight the 243 species on London’s priority conservation list – moths, birds, beetles, wildflowers, fish and fungi. Created in collaboration with Cartier, a St Pauls Cathedral-inspired pavilion featured Devlin’s line drawings of the endangered animals on the list and was showcased outside the Tate Modern and opposite St Pauls Cathedral.

Each evening at sunset, an interpretation of Choral Evensong was performed within the illuminated sculpture by London-based choral groups, combined with the calls of native birds, bats, and insects. The installation was on show in the Tate Modern Garden.

“A dome originally meant a home,” said Devlin, speaking about the Come Home Again sculpture. “The work invites us to see, hear, and feel our home, our city as an interconnected web of species and cultures, to learn and remember the names and sing those under threat into continued existence. The work echoes the invitation invoked by the 92-year-old climate activist Joanna Macy: “Now it can dawn on us: we are the world knowing itself. As we relinquish our isolation, we come home again... We come home to our mutual belonging.”

Read more from this issue of Spa Business magazine

View contents of Spa Business 2022 issue 4
  • Editor's letter: Creating change
    Museums and attractions must harness their potential to create real change, says Magali Robathan
  • Letters: Write to reply
    Gordon Hartman, dad and founder of Morgan’s Wonderland on inclusion-centric thinking and action and Merlin Entertainments' Fiona Eastwood on inclusion and diversity...
  • People: Es Devlin
    Known for her large scale public art installations, the designer and stage director has been awarded a CBE
  • People: James Cretney
    Marwell’s CEO on conservation, communities and harnessing zoo poo
  • People: Evert Poor
    On what the Canadian Prime Minister’s visit meant for the Indigenous Peoples Experience
  • Interview: Ramona Bass
    Half way thought a $130m masterplan and with conservation projects in 30 countries, Fort Worth Zoo is thinking big, its co-chair tells Magali Robathan
  • Research: Tough times
    The cost of living crisis is already seeing the public cut its leisure spend, but these steps will help attractions keep visitors coming, says Jon Young
  • Innovation: Ars Electronica
    Linz in Austria has reinvented itself as a city of innovation, with the future facing Ars Electronica Center at its heart
  • Tech: Emotional reward
    Scientists have found a way to tweak video game difficulty according to player emotion, and it has huge potential for visitor attractions
  • Profile: Margaret Kerrison
    The former Disney Imagineer is determined to share what she’s learned about creating absorbing worlds for visitors
  • Preview: Bird Paradise
    Singapore is bringing its nature attractions together to help drive conservation and improve the visitor experience
  • Interview: Graham MacVoy
    How the team behind Boomtown Festival harnessed their brand of creativity to build a unique permanent attraction
  • Scientific research: Under the sea
    A new Red Sea scientific research centre and marine life attraction will offer visitors AR experiences, underwater walks, submarine dives and more
  • Tech: Getting personal
    These operators are getting clever with technology, using digital companions to personalise the guest experience, creating opportunities for deeper connections
Artist Es Devlin was recently made a CBE at Buckingham Palace
Artist Es Devlin was recently made a CBE at Buckingham Palace / PHOTO: hollie fernando
Es Devlin: Mask was created for Somerset House in London
Es Devlin: Mask was created for Somerset House in London / PHOTO: SOMERSET HOUSE
Superblue Miami opened with an installation by Devlin
Superblue Miami opened with an installation by Devlin / Photo: Es Devlin Studio
Come Home Again raises awareness of endangered species
Come Home Again raises awareness of endangered species / PHOTO: DANIEL DEVLIN
Devlin designed the closing ceremony at the 2012 Olympics
Devlin designed the closing ceremony at the 2012 Olympics / PHOTO: getty images
Visitors to Mirror Maze were taken on a ‘journey of scent’
Visitors to Mirror Maze were taken on a ‘journey of scent’ / Photo: Es Devlin Studio
Devlin created an indoor forest as a venue for COP26
Devlin created an indoor forest as a venue for COP26 / Photo: Es Devlin Studio
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©Cybertrek 2026
Uniting the world of spa & wellness
Get Spa Business and Spa Business insider digital magazines FREE
Sign up here ▸
News   Products   Magazine   Subscribe
People
Es Devlin

This work invites us to learn and remember the names and sing those under threat into continued existence


Artist and stage designer Es Devlin was made a Commander of the Order of the British Empire (CBE) for services to design in a ceremony at Buckingham Palace in October. She was awarded an OBE in 2015.

Devlin is known for her large scale public art installations, often inspired by nature, which include the Forest for Change – when she filled the courtyard of London’s Somerset House with trees – and indoor forest Conference of the Trees, created for the COP26 climate conference in Glasgow, UK.

She also created the mirrored maze-like installation Forest of Us for the inaugural exhibition at Superblue Miami, and was responsible for the closing ceremony at the London 2012 Olympics and the opening ceremony at the Rio 2016 Olympics, as well the British Pavilion at the Dubai 2020 Expo.

Devlin began her career in the theatre, after studying Fine Art at Central Saint Martins in London, and has created catwalk shows for designers including Louis Vuitton and stage sets for Kanye West, Beyonce and U2.

Her most recent work, called Come Home Again, saw Devlin create a large scale illuminated sculpture to highlight the 243 species on London’s priority conservation list – moths, birds, beetles, wildflowers, fish and fungi. Created in collaboration with Cartier, a St Pauls Cathedral-inspired pavilion featured Devlin’s line drawings of the endangered animals on the list and was showcased outside the Tate Modern and opposite St Pauls Cathedral.

Each evening at sunset, an interpretation of Choral Evensong was performed within the illuminated sculpture by London-based choral groups, combined with the calls of native birds, bats, and insects. The installation was on show in the Tate Modern Garden.

“A dome originally meant a home,” said Devlin, speaking about the Come Home Again sculpture. “The work invites us to see, hear, and feel our home, our city as an interconnected web of species and cultures, to learn and remember the names and sing those under threat into continued existence. The work echoes the invitation invoked by the 92-year-old climate activist Joanna Macy: “Now it can dawn on us: we are the world knowing itself. As we relinquish our isolation, we come home again... We come home to our mutual belonging.”

Read more from this issue of Spa Business magazine

View contents of Spa Business 2022 issue 4
  • Editor's letter: Creating change
    Museums and attractions must harness their potential to create real change, says Magali Robathan
  • Letters: Write to reply
    Gordon Hartman, dad and founder of Morgan’s Wonderland on inclusion-centric thinking and action and Merlin Entertainments' Fiona Eastwood on inclusion and diversity...
  • People: Es Devlin
    Known for her large scale public art installations, the designer and stage director has been awarded a CBE
  • People: James Cretney
    Marwell’s CEO on conservation, communities and harnessing zoo poo
  • People: Evert Poor
    On what the Canadian Prime Minister’s visit meant for the Indigenous Peoples Experience
  • Interview: Ramona Bass
    Half way thought a $130m masterplan and with conservation projects in 30 countries, Fort Worth Zoo is thinking big, its co-chair tells Magali Robathan
  • Research: Tough times
    The cost of living crisis is already seeing the public cut its leisure spend, but these steps will help attractions keep visitors coming, says Jon Young
  • Innovation: Ars Electronica
    Linz in Austria has reinvented itself as a city of innovation, with the future facing Ars Electronica Center at its heart
  • Tech: Emotional reward
    Scientists have found a way to tweak video game difficulty according to player emotion, and it has huge potential for visitor attractions
  • Profile: Margaret Kerrison
    The former Disney Imagineer is determined to share what she’s learned about creating absorbing worlds for visitors
  • Preview: Bird Paradise
    Singapore is bringing its nature attractions together to help drive conservation and improve the visitor experience
  • Interview: Graham MacVoy
    How the team behind Boomtown Festival harnessed their brand of creativity to build a unique permanent attraction
  • Scientific research: Under the sea
    A new Red Sea scientific research centre and marine life attraction will offer visitors AR experiences, underwater walks, submarine dives and more
  • Tech: Getting personal
    These operators are getting clever with technology, using digital companions to personalise the guest experience, creating opportunities for deeper connections
Artist Es Devlin was recently made a CBE at Buckingham Palace
Artist Es Devlin was recently made a CBE at Buckingham Palace / PHOTO: hollie fernando
Es Devlin: Mask was created for Somerset House in London
Es Devlin: Mask was created for Somerset House in London / PHOTO: SOMERSET HOUSE
Superblue Miami opened with an installation by Devlin
Superblue Miami opened with an installation by Devlin / Photo: Es Devlin Studio
Come Home Again raises awareness of endangered species
Come Home Again raises awareness of endangered species / PHOTO: DANIEL DEVLIN
Devlin designed the closing ceremony at the 2012 Olympics
Devlin designed the closing ceremony at the 2012 Olympics / PHOTO: getty images
Visitors to Mirror Maze were taken on a ‘journey of scent’
Visitors to Mirror Maze were taken on a ‘journey of scent’ / Photo: Es Devlin Studio
Devlin created an indoor forest as a venue for COP26
Devlin created an indoor forest as a venue for COP26 / Photo: Es Devlin Studio
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Swissline by Dermalab

Inspired by the science of cellular rejuvenation and driven by the desire to optimise skin health an [more...]
+ More profiles  
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+ More catalogues  

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+ More directory  
DIARY

 

23-26 Aug 2026

Elevate Spa Riviera Maya Edition

The Riviera Maya Edition Kanai, Playa del Carmen, Mexico
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ASEAN Patio Pool Spa Expo 2026

MITEC Kuala Lumpur,Malaysia, Malaysia
+ More diary  
 


ADVERTISE . CONTACT US

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Tel: +44 (0)1462 431385

©Cybertrek 2026

ABOUT LEISURE MEDIA
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