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The arts
Room to grow

Could the futuristic, ultra-flexible architecture of the Taipei Performing Arts Center herald a shake up in the design of performance and exhibition spaces? Magali Robathan takes a look


The long-awaited Taipei Performing Arts Center in Taiwan has been completed.

Created by a team led by Rem Koolhaas and David Gianotten at OMA with local architect, Kris Yao, the 59,000sq m cultural centre has been designed as a highly flexible space suitable for the most experimental performances, and features “three theatres plugged into a central cube,” according to Gianotten. The theatres can be merged or modified, making them suitable for a whole host of different “unimagined and spontaneous forms.”

The general public can access a Public Loop, which runs through the theatre’s infrastructure production spaces – portal windows allow them to peek at performances and the technical spaces in between the theatres.

The spherical 800-seat Globe Playhouse, with an inner and an outer shell, “resembles a planet docking against the cube,” according to the architects. The intersection between the inner shell and the cube forms a unique proscenium for experimentation with stage framing.

The Grand Theater is a 1,500-seat theatre space for different performing arts genres. Opposite to it, on the same level, is the 840-seat Blue Box for the most experimental performances. When coupled, the two theatres become a Super Theater – a huge, factory-style space that can accommodate productions and events “otherwise only possible in found spaces”.

A new landscaped plaza beneath the theatre offers a further gathering space.

The centre is due to open to the public in August 2022 following a series of test performances.
Credit: OMA

"We wanted to contribute to the history of the theatre and we’re interested to see how this architecture will extend what we can do in theatres" – Rem Koolhaas

Credit: Fred Ernst

"We’re excited by how the building constantly generates new relationships between artists, spectators, and the public" –  David Gianotten

"This building sits at the centre of the plebian life of Taipei. Its informal, unpretentious, raw architecture echoes the spirits of how the citizens of Taipei approach art" –  Kris Yao

Read more from this issue of Spa Business magazine

View contents of Spa Business 2022 issue 1
  • Editor's letter: Supersensory
    With our growing insight into how to engage visitors’ more complex senses, it’s time for a new approach, says Magali Robathan
  • People: Jakob Wahl
    IAAPA’s new executive VP and COO shares his plans
  • People: Philippe Chiwy
    De Pinxi’s founder on Choco-Story Bruges and the SpaceBakery project
  • People: Cassie Poland and Ollie Smith
    On taking over the attraction they grew up in – Drusillas
  • Immersive experiences: Joseph Wisne
    Truly ambitious attractions providers need to push the boundaries of immersive design by engaging visitors’ senses of pain, danger, balance, justice and more, argues Roto’s CEO
  • Interview: Esther Dugdale
    As the Burrell Collection relaunches and Eden Qingdao takes shape, Event’s creative director shares her tips for creating experiences that spark joy and curiosity
  • The arts: Room to grow
    Could the space age, ultra flexible design of the new Taipei Performing Arts Center provide a model for future attractions spaces?
  • Museums: Ones to watch
    From an AI museum built by robots to the long-awaited Grand Egyptian Museum, we take a look at some exciting 2022 openings
  • Research: All of history
    As demand for growing honesty in relation to links to slavery and colonialism grows, should attractions be open about their history? Jon Young investigates
  • Opinion: Vince Kadlubek
    Art engages and delights visitors. Kadlubek argues that attractions should embrace and support artists and look for shared initiatives
  • Waterparks: Waves of change
    As The Wave inland surf lake announces plans to open six more sites, we go along for a surf and a sit down with CEO Craig Stoddart
  • Experience economy: Joe Pine
    Experience platforms represent one of the biggest growth opportunities in today’s experience economy, argues Joe Pine. Here’s how to get them right
  • Interview: Cale Heit
    With new themed coasters open at Motiongate Dubai and some intruiging projects underway, Forrec is making the most of the pent up demand for shared experiences. CEO Cale Heit tells us more
The futuristic 800-seat theatre aims to be as inclusive and flexible as possible
The futuristic 800-seat theatre aims to be as inclusive and flexible as possible / Shephotoerd Co. Photography, courtesy of OMA
The general public can enter the theatre without a ticket 
via a Public Loop
The general public can enter the theatre without a ticket via a Public Loop / Shephotoerd Co. Photography, courtesy of OMA
The Taipei Performing Arts Center is located at the heart of Taipei’s Shilin Night Market
The Taipei Performing Arts Center is located at the heart of Taipei’s Shilin Night Market / OMA by Chris Stowers
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22-22 Jun 2026

World Bathing Day

Worldwide,
+ More diary  
 
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©Cybertrek 2026
Uniting the world of spa & wellness
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Sign up here ▸
News   Products   Magazine   Subscribe
The arts
Room to grow

Could the futuristic, ultra-flexible architecture of the Taipei Performing Arts Center herald a shake up in the design of performance and exhibition spaces? Magali Robathan takes a look


The long-awaited Taipei Performing Arts Center in Taiwan has been completed.

Created by a team led by Rem Koolhaas and David Gianotten at OMA with local architect, Kris Yao, the 59,000sq m cultural centre has been designed as a highly flexible space suitable for the most experimental performances, and features “three theatres plugged into a central cube,” according to Gianotten. The theatres can be merged or modified, making them suitable for a whole host of different “unimagined and spontaneous forms.”

The general public can access a Public Loop, which runs through the theatre’s infrastructure production spaces – portal windows allow them to peek at performances and the technical spaces in between the theatres.

The spherical 800-seat Globe Playhouse, with an inner and an outer shell, “resembles a planet docking against the cube,” according to the architects. The intersection between the inner shell and the cube forms a unique proscenium for experimentation with stage framing.

The Grand Theater is a 1,500-seat theatre space for different performing arts genres. Opposite to it, on the same level, is the 840-seat Blue Box for the most experimental performances. When coupled, the two theatres become a Super Theater – a huge, factory-style space that can accommodate productions and events “otherwise only possible in found spaces”.

A new landscaped plaza beneath the theatre offers a further gathering space.

The centre is due to open to the public in August 2022 following a series of test performances.
Credit: OMA

"We wanted to contribute to the history of the theatre and we’re interested to see how this architecture will extend what we can do in theatres" – Rem Koolhaas

Credit: Fred Ernst

"We’re excited by how the building constantly generates new relationships between artists, spectators, and the public" –  David Gianotten

"This building sits at the centre of the plebian life of Taipei. Its informal, unpretentious, raw architecture echoes the spirits of how the citizens of Taipei approach art" –  Kris Yao

Read more from this issue of Spa Business magazine

View contents of Spa Business 2022 issue 1
  • Editor's letter: Supersensory
    With our growing insight into how to engage visitors’ more complex senses, it’s time for a new approach, says Magali Robathan
  • People: Jakob Wahl
    IAAPA’s new executive VP and COO shares his plans
  • People: Philippe Chiwy
    De Pinxi’s founder on Choco-Story Bruges and the SpaceBakery project
  • People: Cassie Poland and Ollie Smith
    On taking over the attraction they grew up in – Drusillas
  • Immersive experiences: Joseph Wisne
    Truly ambitious attractions providers need to push the boundaries of immersive design by engaging visitors’ senses of pain, danger, balance, justice and more, argues Roto’s CEO
  • Interview: Esther Dugdale
    As the Burrell Collection relaunches and Eden Qingdao takes shape, Event’s creative director shares her tips for creating experiences that spark joy and curiosity
  • The arts: Room to grow
    Could the space age, ultra flexible design of the new Taipei Performing Arts Center provide a model for future attractions spaces?
  • Museums: Ones to watch
    From an AI museum built by robots to the long-awaited Grand Egyptian Museum, we take a look at some exciting 2022 openings
  • Research: All of history
    As demand for growing honesty in relation to links to slavery and colonialism grows, should attractions be open about their history? Jon Young investigates
  • Opinion: Vince Kadlubek
    Art engages and delights visitors. Kadlubek argues that attractions should embrace and support artists and look for shared initiatives
  • Waterparks: Waves of change
    As The Wave inland surf lake announces plans to open six more sites, we go along for a surf and a sit down with CEO Craig Stoddart
  • Experience economy: Joe Pine
    Experience platforms represent one of the biggest growth opportunities in today’s experience economy, argues Joe Pine. Here’s how to get them right
  • Interview: Cale Heit
    With new themed coasters open at Motiongate Dubai and some intruiging projects underway, Forrec is making the most of the pent up demand for shared experiences. CEO Cale Heit tells us more
The futuristic 800-seat theatre aims to be as inclusive and flexible as possible
The futuristic 800-seat theatre aims to be as inclusive and flexible as possible / Shephotoerd Co. Photography, courtesy of OMA
The general public can enter the theatre without a ticket 
via a Public Loop
The general public can enter the theatre without a ticket via a Public Loop / Shephotoerd Co. Photography, courtesy of OMA
The Taipei Performing Arts Center is located at the heart of Taipei’s Shilin Night Market
The Taipei Performing Arts Center is located at the heart of Taipei’s Shilin Night Market / OMA by Chris Stowers
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Longevitix launches AI-powered platform to deliver longevity medicine at scale
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Atmantan Wellness Centre announces new wellness destination in Hyderabad
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The Retreat Costa Rica debuts Vida Mía Longevity Centre
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Almost half of spa survey respondents are unaware cancer is a disability and not adapting treatments is discrimination
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FEATURED SUPPLIERS

Longevity in spas: a strategic choice, not a default setting
Longevity has become one of the most debated concepts in contemporary wellness. [more...]

Spa Life – where spa leaders grow together
The Spa Life UK Convention returns from 21–23 June 2026 at Whittlebury Park Hotel, Spa & Golf Resort, bringing together spa managers, directors and owners for two days of focused education, meaningful connection and commercial insight. [more...]
+ More featured suppliers  
COMPANY PROFILES
Saskia Spa

Founded in 2014, Saskia Spa continues to evolve as a professional luxury skincare brand. It forms pa [more...]
+ More profiles  
CATALOGUE GALLERY
+ More catalogues  

DIRECTORY
+ More directory  
DIARY

 

21-23 Jun 2026

Spa Life International (UK)

Midlands (Venue TBA), Liphook, United Kingdom
22-22 Jun 2026

World Bathing Day

Worldwide,
+ More diary  
 


ADVERTISE . CONTACT US

Leisure Media
Tel: +44 (0)1462 431385

©Cybertrek 2026

ABOUT LEISURE MEDIA
LEISURE MEDIA MAGAZINES
LEISURE MEDIA HANDBOOKS
LEISURE MEDIA WEBSITES
LEISURE MEDIA PRODUCT SEARCH
PRINT SUBSCRIPTIONS
FREE DIGITAL SUBSCRIPTIONS